Mit Texten von Hermann Hesse, Tschuang-Tse und Li Tai Pe
Bühnenfassung Gabriele Schelle, Elisabeth Moll
Premiere: 12.07.2012
Museum Island Gottorf Castle
Festival:
International Festival “Vidlunnya” Kiev/Ukraine,
International guest performance:
Casa Camuzzi/Ticino 1919. Hermann Hesse's marriage is in ruins, his wife is in a mental hospital, his children are with friends, he himself is in psychotherapy and is deeply disturbed. In this severe life crisis, the image of Klingsor emerges from the depths of his soul - a mirror image, a caricature of Hesse himself. With the figure of the painter Klingsor, he explores the most beautiful, but also the most hideous corners of the artist's soul and thereby saves himself. Klingsor, the magician, has no solution - only transformation. Hesse drives his character as close to the brink of death as possible. Balancing on the fine line between form and madness is Li Tai Pe, Klingsor's only companion and refuge. At the end there is the image of a face. Hesse can lock it up, throw away the key and walk away calmly: towards new characters who will be more balanced than the torn and adventurous magician Klingsor. The story of a self-analysis.
Director:
Gabriele Schelle
Text/Concept:
Elisabeth Moll & Gabriele Schelle
Costume:
Anna Garnet
Music:
Peter Matrai
Graphic:
Janos Szurscik
Visual Concept:
Axel Jankowski
Performance rights:
Suhrkamp Publishing, Berlin
With:
Gottorp Castle
Lessingbad Kiel
Jewish Museum Rendsburg
St. Annen Art Gallery Lübeck
Old swimming pool at Plön Castle
Neumünster Town Hall
International Festival Vidlunnya Kiev/Ukraine 2013
Volkstheater Vienna/Austria 2015
International Chamber Theatre Festival MOST Hannover 2015
„Nisslmüller brachte Hesse als Literaten überzeugend auf die Bühne und bekam viel Applaus.“
Kieler Nachrichten
„Nisslmüller schlüpft – in kargem Bühnenbild – durch An- und Ablegen des typischen Leinenjacketts und der runden Brille von Hesse oder des Malerkittels von Klingsor in die beiden Rollen. Mit starker Mimik und Gestik und viel Bewegung gelingt es Nisslmüller, die Konfrontation der beiden Figuren mit der Realität überzeugend darzustellen: „Die Natur hat mehr als 10000 Farben, und wir haben uns in den Kopf gesetzt, sie mit 20 zu gestalten.“
Holsteinischer Kurier